Notice the S.M.S. message in his hand—the tools of social networking, especially Facebook and Twitter, were useful for massing people and outwitting the police during the revolution.

Check out Wendell Steavenson’s New Yorker article on revolutionary graffiti in Cairo. There’s a really great slide show of the street art that has emerged all over Cairo. Here’s an excerpt from the article:

Amid the cacophony of protest and debate since the revolution—which I wrote about for the magazine this week—there has been one method of expression that has regularly stopped me in the middle of Cairo traffic so that I can get out my iPhone camera: graffiti. (See the slide show above.) It’s suddenly all over Cairo, on schools, on telephone exchange boxes, on empty walls and corrugated fencing around building sites. Daubs of slogans, finely rendered panoramas of Tahrir Square, and, increasingly, the kind of biting satire and subversion that Banksy made famous.

This entry was posted on August 2nd, 2011 at 2:59 pm by Bev Clark and is filed under Activism, Governance, Inspiration, Media, Uncategorized. You can follow any responses to this entry through the RSS 2.0 feed. Both comments and pings are currently closed.