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Freedom Is Coming Tomorrow

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It’s either the guy just has an ear for good music or this is simply his deliberate idea of bringing “protest music” to the public domain. Others however, despite enjoying the music, still think this guy is plain stupid. This is a council owned “beer garden” as these places were called during the Federation years and are still thus called where men and women gather to take in huge quaffs of opaque beer. They do this under beautiful shady trees where a cool breeze defies the harsh African sun and they breathe good clean air and experience nature’s beauty – gratis.

Blaring from the speakers of a public address system with the din reaching more than 5 five neighbourhood streets is music which is likely to earn the man spinning the discs a thorough beating from the thought police. He plays Hugh Masekela where he exhorts by name African despots – including our very own – to cede power and retire peacefully; he plays Mbongeni Ngema’s Freedom Is Coming Tomorrow, from the Sarafina soundtrack; he plays Thomas Mapfumo’s Jojo; he plays that Oliver Mutukudzi classic Bvuma. And I am like, “What the %*$#? This is Sunday where those who voted and those who didn’t are at the pub imagining they are whiling away minutes expecting the Zimbabwe Electoral Commission to begin the announcement of Saturday’s polls and here is a guy nailing his colours to the mast giving patrons – and whole neighbourhoods – his thoughts about the current affairs.

Who can blame him? Imbibers enjoy the beer and music despite their circumstances, and for them hope lies in both the music and deep in their hearts that a better Zimbabwe is nigh. If Chinx could sing about whites, if Manyika could sing about whites, if Toilet Tambaoga could sing about Blair, why can’t Zimbos who can’t sing listen to the music of their choice?

“There are two things worth aiming for: good music and a clean conscience” Paul Hindemith, 1895-1963, German composer

2 comments to “Freedom Is Coming Tomorrow”

  1. Comment by Global Voices Online » What more must Zimbabweans do?:

    [...] He also writes about a man playing protest music at his “beer garden”: Blaring from the speakers of a public address system with the din reaching more than 5 five neighbourhood streets is music which is likely to earn the man spinning the discs a thorough beating from the thought police. He plays Hugh Masekela where he exhorts by name African despots – including our very own – to cede power and retire peacefully; he plays Mbongeni Ngema’s Freedom Is Coming Tomorrow, from the Sarafina soundtrack; he plays Thomas Mapfumo’s Jojo; he plays that Oliver Mutukudzi classic Bvuma. And I am like, “What the %*$#? This is Sunday where those who voted and those who didn’t are at the pub imagining they are whiling away minutes expecting the Zimbabwe Electoral Commission tobegin the announcement of Saturday’s polls and here is a guy nailing his colours to the mast giving patrons – and whole neighbourhoods – his thoughts about the current affairs. [...]

  2. Comment by blackstone:

    Im on the edge of my seat for this press conference that was spose to begin at 8